Confessions of a Shopaholic

empiric utilization and irrational number propensity Richard Elliott University of Oxford, Oxford, UK If marketing is truly the cr knowledgeing(prenominal) neighborly practice of postmodern leaser cultivation (Firat, 1993) then it carries the heavy burden of determining the conditions and conveys of life for the future (Firat and Venkatesh, 1993). Certainly, social theory is now focusing on use as playing a central role in the way the social field is conceptioned, and it can be argued that marketing is too authorised just to be left to marketers as it plays a key role in giving heart and soul to life by aspiration (van Raaij, 1993).Marketing has been criticized from within as beingness a technique without moral regard for the consequences of its actions, and there is no shortage of critics of its most public face advertising. This paper aims at identifying some of the issues elevated by postmodern and poststructuralist accounts of consumption. In particular, it is argued that consumption can be conceptualized from cultural, social and psychological perspectives as being a prime site for the negotiation of irrelevant themes of liberty and control.It is proposed here that in postmodernity the consumption of symbolizationic meaning, particularly with and through the use of advertising as a cultural commodity, provides the one-on-one with the opportunity to construct, swear and communicate individuation and social meanings. This use of consumption as a resource for meaning creation and social transactions is a process that involves the qualification of choices that are sufficiently important to be considered as existential.This is non an attempt at rehabilitating the practice of marketing, simply is intended to demonstrate that the consumer is far from being a passive victim but is an active agent in the construction of meaning. In part this can be seen as a response to Olanders call for consumer research for the consumers sake (Olande r, 1993), but also as providing theoretical underpinning for concepts such as advertising lit successioncy (Ritson and Elliott, 1995a) which attempt to build new socially located and meaning-based-models of advertising.Exploring some consumption dialectics As a heuristic device to help unpack some of the complexity of the consumption experience, five dialectics will be explored and their (sometimes polar) tensions apply as analytical frames for reviewing competing discourses on the meanings of consumption My thanks to Geoff Easton and Rolland Munro for discussions which improved the ideas in this paper, some of which engage been explored in Elliott and Ritson (1995). Existential consumption and irrational liking 285 European Journal of Marketing, Vol. 1 none 3/4, 1997, pp. 285-296. MCB University Press, 0309-0566 European Journal of Marketing 31,3/4 286 (1) the poppycock versus the exemplary (2) the social versus the egotism (3) desire versus satisfaction (4) rationality ver sus irrationality and (5) creativity versus constraint. It is acknowledged that binary oppositions are essentially structuralist and frankincense in danger of betraying the complexity of the poststructuralist accounts they are being used to elucidate here, and that they are inevitably reductionist.However, postmodernism is riven with contradictions, even Baudrillards account of postmodernity is itself a totalizing meta-narrative (Hebdige, 1989), so we must learn to participate in the tolerance of incompatible alternatives (Lyotard, 1984) and the apposition of opposites and contradictions (Foster, 1983) called for by postmodern theorists in the hope that it can develop our understanding(s) of the meaning(s) of these complex ideas.As a heuristic device, these bipolar oppositions should non be read as posited structures but merely as aids to coming to grips with the sometimes mind-numbing interrelations amongst what are often incommensurable concepts. The binary opposition is false and should, of course, be allowed to melt into credit line (Berman, 1983). The material versus the typic As soon as a products ability to satisfy mere physical need is transcended, then we enrol the realm of the emblematic and it is symbolic meaning that is used in the search for the meaning of existence (Fromm, 1976).Central to postmodern theories of consumption is the proposition that consumers no longer consume products for their material utilities but consume the symbolic meaning of those products as portrayed in their images products in fact become commodity signs (Baudrillard, 1981). The real consumer becomes a consumer of illusions (Debord, 1977) and the ad-dict buys images not things (Taylor and Saarinen, 1994). This semiotic perspective of products as symbols raises sticky questions round the location of cultural meaning.The term symbol itself can relate to the product that carries meaning or to the meaning it carries, and the interpretation of meaning is a complex p roduct of what is contained in the representation and what the individual brings to the representation (LeVine, 1984). Symbolism can be analysed semiotically by examination of the organisation of signs and what they signify. It has been realized, however, that this leads to an infinite regress as one sign leads to another without there ever being anything real outside the system.All meaning is socially constructed and there is no essential external reference point, so ultimately There is nothing outside the text (Derrida, 1977). To complicate matters further, symbolic interpretation is essentially non-rational improvisation that does not obey the codes of language but operates at the unconscious level (Sperber, 1975). A Jungian analysis goes even further and suggests that the full significance of a symbol cannot be Existential grasped in purely intellectual terms, if it becomes fully definable in rational consumption and terms it is no longer a legitimate symbol (Storr, 1973). rra tional desire tho even for the sign-dependent human being things are never purely material nor purely meaningful, there is always a talk terms relation between matter and meaning. This mediated process operates through the materiality 287 of language as a dynamic force in the transformation of an equivocal range of human possibilities into a restricted moral economy of meaning, in which we are simultaneously authors of and authored by the language with which we try to communicate (Pfohl, 1992).This relationship is part a function of the individuals ability to understand and control the interaction between the material and the symbolic, and material objects themselves are always in get across and their meaning is likewise on a trajectory (Appadurai, 1986). The social versus the self The functions of the symbolic meanings of products operate in two directions, outward in constructing the social world social-symbolism and inward towards constructing our self-identity self-symbol ism (Elliott, 1995).Consumption of the symbolic meaning of products is a social process that helps accept visible and stable the basal categories of a culture which are under incessant change, and consumption choices become a vital source of the culture of the moment (Douglas and Isherwood, 1978). The meanings of consumer goods are grounded in their social context and the demand for goods derives more from their role in cultural practices rather than from the satisfaction of simple human needs (Douglas and Isherwood, 1978). Consumer goods, then, are more than just objects of scotch exchange, they are goods to think with, goods to speak with (Fiske, 1989).Consumption as a cultural practice is one way of participating in social life and may be an important element in cementing social relationships, eon the whole system of consumption is an unconscious expression of the existing social structure through a seductive process which pushes the purchasing impulse until it reaches the l imits of economic potential (Baudrillard, 1988). It is within this social context that the individual uses consumer goods and the consumption process as the materials with which to construct and maintain an identity, form relationships and frame psychological events (Lunt and Livingstone, 1992).The self-symbolic role of material goods is long established in social anthropology and the individuals attachment to objects may be a culturally universal function which symbolizes security, expresses the self-concept and signifies connection to parliamentary procedure (Wallendorf and Arnould, 1988). Consumer goods are not only used to construct our self-identity but are also used by others to make inferences about us that guide their behaviour towards us (Dittmar, 1992). But now in postmodernity we are able to use consumer products to become any of our possible selves (Markus and Nurius, 1986) inEuropean Journal of Marketing 31,3/4 288 which we utilize consumer goods to construct pastiche s of others we have been exposed to via the media or more directly. In cyberspace, I can change myself as easily as I change my clothes (Taylor and Saarinen, 1994). But the choices as to which self to construct and present are attended by the possibility of social consequences which may be very negative for example, a hardship of a young person to utilize symbolic capital in the form of knowledge of the appropriate meaning of advertising can lead to decimateion by the peer group (ODonohoe, 1994).Desire versus satisfaction The symbolic gratification promised by advertising manages to recode a commodity as a desirable psycho-ideological sign (Wernick, 1991), and the carrying out of advertising at the unconscious level is driven by the search for an conceptional self which motivates the individual with desire for coherence and meaning (Lacan, 1977). denote feeds the desire to gain the unobtainable unity of the self with destabilized meanings (Featherstone, 1991), images which sepa rate commodities from their original use and offer the possibility to reconstruct the self by purchasing the symbolic meaning of goods and constructing a DIY self (Bauman, 1991). For as Williamson (1978) points out, The conscious chosen meaning in most batchs lives comes from what they consume, and this is energized by the attachment of bodily desire to symbolic meaning where the incipient needs of the pre-linguistic self are channelled into language.Central to Lacanian theory is the mirror-phase, where the child recognizes itself in a mirror and assumes an image through a transformation from the fanciful to the symbolic. The symbolic for Lacan is linked with absence, in that symbols represent a world of people and things that are not there. The real can only be approached through the symbolic medium of language, yet language itself contains the contradictions and fragmentations of gender, power and meaning (Kristeva, 1980).The symbolic focus of much promotional activity in postm odernity is desire, and for Lacan desire exists in the gap between language and the unconscious. Desire does not desire satisfaction. To the contrary desire desires desire. The reason images are so desirable is that they never satisfy (Taylor and Saarinen, 1994). Postmodern consumption is inextricably linked with aspects of sexuality, both conscious and unconscious, as it promises the satisfaction of previously taboo desires through imagery and representations (Mort, 1988).These desires are constructed through the symbolic linkage between consumption and the human body (Kellner, 1992), and operate in large part through the consumption imagery with which we are surrounded and which makes even mundane consumer actions, such as looking in shop windows, highly significant in our psychic lives (Bocock, 1993). so meaning is created through a search for links between identity (the social) and the self and the pursuit of sexual satisfaction through consumption, both of which are doomed to failure.Rationality versus irrationality Existential This postmodern fragmentation of the experience of self has been termed the consumption and condition of multiphrenia by Gergen (1991), who points out that the new irrational desire opportunities for form of choice are almost unlimited and so bring with them a dizziness of the valued where the expansion of wants reduces our choice to want not, a multiplicity of competing values and beliefs which make the very 289 idea of rational choice become insignificant.The mass media, and advertising in particular, are responsible for an expansion of inadequacy which is encouraged by a barrage of new criteria for self-evaluation. Cushman (1990) argues that we are in an era of the empty self in which alienation and loss of community can be solved by the lifestyle solution in which the consumer constructs a self by purchasing and ingesting products featured in advertising, a behaviour which can be construed as, at best, of limited rational ity.In the Lacanian perspective there is a stress on the individual subject as being fragmented and incoherent, and this leads to the framing of the consumer as simultaneously both rational and irrational, able to both consume and reject what is being consumed, to desire and yet consume without satisfaction (Nava, 1991). Identity becomes infinitely plastic in a play of images that knows no end. Consistency is no longer a virtue but becomes a vice integration is limitation (Taylor and Saarinen, 1994).The consumption of meaning, even the meaning of supposedly unambiguous television soap operas, is always unsure and contradictory (Ang, 1985), and the modes of rationality which operate in the space between the unconscious world of the imaginary and the symbolic world of language are little mum as they are constrained by the despotic signifying semiologies which limit the possibilities for other forms of semiotic systems and other forms of rationality (Deleuze and Guattari, 1983).The c onceptualization of other modes of (ir)rationality is paralleled by the recent growing in social cognition of the theory of motivated choice, which emphasizes the role of emotion in decision processes (Forgas, 1992 Kunda, 1990). Motivated choice is where judgement is driven by an emotional desire to mother at a particular conclusion, where biased information search and reasoning processes are used to arrive at those conclusions they want to arrive at (Kunda, 1990).From these perspectives, cool, rational, informationprocessing choice is at least uncommon, and may in fact be very rare, for the real, the really real, is irrational, that reason builds upon irrationalities (de Unamuno, 1962). Creativity versus constraint The dialectic between license and control in the consumption domain is typified by the influence of advertising. The ability of consumers to resist the influence of advertising and thereby exercise freedom has been minify by the Marxist analysis of its central role in the maintenance of capitalism (Leiss etEuropean Journal of Marketing 31,3/4 290 al. , 1990) which operates through the creation of ideological hegemony (Goldman, 1992). Marxists have also portrayed advertising as a magic system (Williams, 1980) of magical inducements and satisfactions which validates consumption, if only in fantasy, by association with social and personal meanings and thus transforms goods which had rational use-value into irrational symbols.This focus on the power of the symbolic is further developed by Williamson (1986) who argues that advertisements function at an unconscious level at which the consumer is uneffective to resist latent meaning transfer. More recent post-Marxist analyses have weakened their deterministic stance and recognized that the meanings and uses of products cannot be entirely controlled (Williamson, 1986).However, hegemony still exists, but now depends on affective gratifications provided by mass-mediated popular culture where insoucian t life in amusement society proceeds within a dialectic of enfeeblement and empowerment (Langman, 1992). From a post-structuralist perspective limited freedom is allowed to the individual through consumption choices for most members of contemporary society individual freedom, if available at all, comes in the form of consumer freedom through which the individual must take responsibility to invent and consciously create a self-identity (Bauman, 1988).Through the new existentialism (Laermans, 1993) consumers can exercise the freedom to create new meanings for goods through their own idiosyncratic performance of everyday life (de Certeau, 1984). This freedom can be used for collective and individual resistance against the imposed meanings of the dominant cultural categories, particularly through the choice of style and the use of bricolage tactics (Fiske, 1987 Hebdige, 1979).A sustained argument for the active exercise of freedom through consumption is developed by Willis (1990), who characterizes the consumption choices of the young as the behaviour of working existentialists. The young are seen as exercise choice through consumption-related symbolic creativity which operates via the concept of grounded aesthetics, a process which builds higher-level symbolic meaning structures from the mundane concrete experiences of everyday life.This allows the young a small productive space for make the received social world, to some extent, controllable by them. This process is very similar to the marginal tactics (de Certeau, 1984) by which the powerless make sense of consumption, and in relation to advertising would allow them some control over the meaning of a text, but not control over the agendum within which the text is constructed (Morley and Silverstone, 1990).This is a limited freedom where we make our own spaces within the place of the other (Fiske, 1989) but yet it is potentially liberating in that to sidestep from dominant meanings is to construct our own subjectivity (Condit, 1989), and can therefore be conceptualized as authentic existential choice, rejecting the bad faith of accepting the dominant consumption meanings as inevitable or unproblematic (Sartre, 1969). Advertisements can be seen as cultural products in their own right, and Existential young people consume them one by one of the products and have a creative consumption and symbolic relationship with them.Although Willis (1990) sees advertising as irrational desire manipulative to some extent, he emphasises the scope for individual choice and creativity in meaning and identity construction, as individuals use advertising images as personal and social resources. These are invested with specific 291 meanings anchored in everyday life, via the process of grounded aesthetics, which are then used to construct or maintain personal and social identities. These creative practices are particularly prevalent amongst young people of Generation X (ODonohoe, 1994 Ritson and Elliott , 1995b).The construction of social identity through styles of consumption is referred to in terms of lifestyle membership of neo-tribes by Bauman (1990), where one may meet the tribe by purchasing and displaying tribe-specific paraphernalia. The neo-tribe is informal, without authority and only requires acceptance of the obligation to take on the identity-symbols of the tribe. The consumer may thus exercise the freedom to choose social groupings through existential consumption.The exercise of choice through consumption now flows across national boundaries in a global cultural economy through the operation of advertising mediascapes which are image-centred strips of reality which offer the consumer a series of elements out of which scripts can be formed of imagined lives, their own as well as those of others nutriment in other places (Appaduri, 1990). If aspects of advertising imagery can be appropriated at will by practical existentialists then they may, as Baudrillard (1983) su ggests, live everywhere already in an aesthetic hallucination of reality, in which the real and the simulated are indistinguishable.However, the extent to which, in a mediacratic age, advertising reflects reality or actually creates it is problematic. Are the practical existentialists using advertising or is it really using them? Schudson (1984) suggests that advertising is capitalist realist art and that although it does not have a monopoly of the symbolic marketplace, different social groups are differentially vulnerable especially during transitional states of their lives. This form of art idealizes the consumer and portrays as normative, special moments of satisfaction.It reminds us of beautiful moments in our own lives or it pictures magical moments we would like to experience (Schudson, 1984). This suggests that young people in particular, who are at a transitional state in their lives, may be subject to excessive influence by buying-in to advertisings depiction of a false re ality. In contrast, young people may be exercising (limited) freedom in their use of advertising as a cultural commodity for even as the market makes its profits, it supplies some of the materials for alternative or oppositional symbolic work (Willis, 1990).This dichotomy between creativity and constraint (Moores, 1993) in the context of advertising is represented by the problematic of hegemony, which sets parameters on the freedom to construct meaning (Ang, 1990). Hegemony European Journal of Marketing 31,3/4 292 does not dominate from outside but is a thick texture which interlaces resistance and submission, opposition and complicity (Martin-Barbero, 1988) and which therefore poses difficult problems for ethnographic analysis to unpack.Structuration theory (Giddens, 1984) offers a solution to the dualism of structure versus agency, by positing that the structural properties of social systems are both medium and outcome of the practices they recursively organise. Thus the consumpti on of advertising can be both an active and creative practice yet is carried out within constraints imposed by material shoes and ideological hegemony. Desire, irrationality and choice Desire develops from physical need through a growing awareness of the existential choice between a desire to have and a desire to be, desire being defined by absence or lack of being (Sartre, 1969).Lacans identification of language as the symbolic vow which develops from the pre-verbal imaginary order accompanied by increasing anxiety about the self has been reframed by Kristeva (1980) as the two orders of the semiotic and the symbolic. The imaginary/semiotic order is unconscious whilst the symbolic order is rational, but there is potential for slippage between the two orders of meaning, with a regression to the unconscious and irrational order of the imaginary where desire for the unattainable comfort of the perfect mother holds sway.The gap between the fantasy world of consumption day-dreams of pe rfect pleasure and the disappointments of reality is the basic motivation for Campbells (1987) autonomous imaginative hedonism which results in limitless wants and a permanent state of frustration. The limited resources of the individual consumer must therefore require choices to be made, choices of which desire to feed and which to deny, which meanings to consume and which to reject or avoid. This vital act of consumer choice may not be to choose that which is most pleasing, but to reject that which is most distasteful.Bourdieu (1984) suggests tastes that when they have to be justified, they are asserted purely negatively, by the refusal of other tastes. We may define ourselves not by what we like, but by what we dislike, and it is material negative emotional reactions to the consumption practices of others that may structure our social categories. This refusal of tastes seems to operate at the level of the imaginary/semiotic and be driven by pre-verbal inchoate emotion. While con sumption may often operate at the level of the imaginary/semiotic or day-dream, it can also have real set up in facilitating the construction of self-identity (Falk, 1994).Phenomenological descriptions of the everyday consumer experiences of women (Thompson et al. , 1990) have surfaced a dominant theme of being in control/being out of control which reflected an anxiety about not buying in the right way, so that women felt guilty when they perceived themselves as not making rational purchase decisions. However, they nevertheless admitted to making purchases in a dreamlike way when they were captivated by a product. In this situation, to act in a self-perceived rrational fashion, to surrender to the symbolic, is itself an authentic existential Existential act of creating meaning through choice, the choice to be irrational. consumption and But to what extent is existential consumption the conscious exercise of irrational desire freedom through choice as idealized by existentialism? Ce rtainly there are severe limits to the freedom contained in consumption choices due to individuals having unequal access to the necessary resources, so existential 293 consumption may only exist for some people in some societies.However, the lived experience described by consumers (Elliott and Ritson, 1995 Thompson et al. , 1990) conveys a strong sense of Sartres engagement even if not at the level of decisional seriousness discussed by Kierkegaard (Macquarrie, 1972). 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